Steven Bochco, Producer of ‘Hill Street Blues’ and ‘NYPD Blue,’ Dies at 74

Steven Bochco, a 10-time Emmy-winning producer also helped create ‘L.A. Law‘ and ‘Doogie Howser M.D.’. Steven Bochco, the visionary television producer who co-created ‘Hill Street Blues,’ ‘NYPD Blue,‘ died on Sunday in the Los Angeles neighborhood of Pacific Palisades. He was 74.

“Steven fought his cancer with strength, courage, grace, and an incomparable sense of humor,” said his spokesperson Phillip Arnold. “He died peacefully during his sleep [at home] surrounded by his family. Bochco received a stem cell transplant in 2014, says The Hollywood Reporter.

Producer Steven Bochco on the red carpet at the Emmys 9/11/94 Photo by Alan Light.

New Yorker Steven Bochco has always refused to follow the standards of television, retaining the artistic direction of his works. The most famous of his series remains Hill Street Blues which portrays the life of a neighborhood police station in a large city that was never clearly named.

Bochco was born to a Jewish family in New York City, the son of Mimi, a painter, and Rudolph Bochco, a concert violinist. He was educated in Manhattan at the High School of Music and Art. His elder sister is actress Joanna Frank.

In 1961, he enrolled at the Carnegie Institute of Technology (after merging with the Mellon Institute in 1967, now known as Carnegie Mellon University) in Pittsburgh to study playwriting and theater. He graduated with a Bachelor of Fine Arts (BFA) in Theater in 1966, having also had an MCA Writing Fellowship.

Bochco went to work for Universal Pictures as a writer and then story editor on Ironside, Columbo, McMillan & Wife, and the short-lived Lorne Greene and Ben Murphy series, Griff, as well as Delvecchio and The Invisible Man.

He wrote the story and teleplay for Columbo: Murder by the book (1971), and the teleplays for several other episodes. He wrote the screenplay for the 1968 film The Counterfeit Killer and worked on Silent Running (1972) and Double Indemnity (1973).

He left Universal in 1978 to go to MTM Enterprises where he had greater scope for producing. His first effort there was the short-lived CBS police drama Paris, notable as the first series on which James Earl Jones played a lead role.

He achieved major success for NBC with the police drama Hill Street Blues. It ran from 1981-87 and Bochco was credited as co-creator and also wrote and produced. The series also garnered considerable critical acclaim and many awards and was nominated for a total of 98 Emmy Awards throughout its run. Bochco was fired from MTM in 1985 following the failure of Bay City Blues (1983).

Bochco moved to 20th Century Fox where he co-created and produced L.A. Law (1986–94) which aired on NBC. This series was also widely acclaimed and a regular award winner.

In 1987, Bochco co-created the half-hour dramedy Hooperman which starred John Ritter but was canceled after two seasons, despite Bochco offering to take over direct day-to-day control of a third season. Hooperman was part of a lucrative deal with ABC in 1987 to create and produce ten new television series, which prompted Bochco to form Steven Bochco Productions. From this deal came Doogie Howser, M.D. (1989–93) and Cop Rock (1990). The latter combined straight police drama with live-action Broadway singing and dancing and was one of his highest-profile failures. In 1992, Bochco created an animated television series, Capitol Critters, along with Nat Mauldin and Michael Wagner.

The cast of Murder One Jason Gedrick, Michael Hayden, executive producer and co-creator Steven Bochco, Barbara Bosson, and Dylan Baker on the set of the critically acclaimed drama series, MURDER ONE, which will begin airing in its regular time period, Monday’s 10:00PM ET/PT on January 8. Photo credit: Ron Batzdorff. (1995) ABC TV Photo

After a lull, Bochco co-created NYPD Blue (1993–2005) with David Milch. Initially controversial at the time, the series was created with the express intention of changing the nature of network one-hour drama to compete with the more adult fare broadcast on cable networks. Other projects in this period that failed to take off include Murder One (1995–97), Brooklyn South (1997), City of Angels (2000), Philly (2001), and Over There (2005). All five shows failed to match Bochco’s earlier success though Murder One and Over There garnered critical praise.

In 2005, Bochco took charge of Commander in Chief (2005–06) which was the creation of Rod Lurie and brought in a new writing team. However, in spring 2006, he left the show because of conflicts with ABC, and shortly afterward the program was canceled. Bochco described his experience on the show as “horrible”.

In 2006 Bochco produced a pilot ABC show, Hollis & Rae, and was reported at the same time to be developing a baseball drama and another legal drama for ABC in partnership with Chris Gerolmo.

It was announced in March 2007 that he has taken his first steps into internet TV with the 44-episode Cafe Confidential, each episode being 60-seconds of unscripted “confessions” by members of the public. Yet another legal drama entitled Raising the Bar was produced for TNT, this time in partnership with David Feige, although it was cancelled in December 2009 during the second season.

According to an interview with Bochco published in September 2007, he is now winding down his involvement with network television, feeling that his tastes and current fashions in TV drama no longer coincide. “The network executives stay the same age and I keep getting older and it creates a different kind of relationship. When I was doing my stuff at NBC with Brandon (Tartikoff) and Hill Street, we were contemporaries,” says Bochco. “When I sit down (now), they’re sitting in a room with someone who’s old enough to be their father and I’m not sure they want to sit in a room with their fathers.”

In 2008, Bochco argued that the new home for quality prime time drama is cable, where “the atmosphere is far friendlier and the creative environment more conducive to doing original work”, and that “most of what’s passing for primetime drama these days isn’t very good”.

Prior to Hill Street Blues it was rare for American straight drama series to have story arcs, i.e. several stories running over many episodes (with the exception of prime time soap operas such as Dallas). It was also rare to have a large regular cast. The structure of the modern “ensemble” television drama can be traced to Bochco, who many regard as having changed the “language” of television drama.

From 2014 to its cancellation in 2016, he wrote and executive produced Murder in the First, a series drama which he co-created with Eric Lodal.

Personal life

Steven Bochco, executive producer and co-creator of NBC-TV’s “Hill Street Blues,” and his wife Barbara Bosson, who plays Fay Furillo in the critically hailed Thursday night series (10:00PM ET) proudly display the medallion and citation attesting to the program’s winning the prestigious George Foster Peabody Award at a ceremony that took place May 5, 1982 in New York. Photo via:

In 1970, he married actress Barbara Bosson, who appeared as a regular on Hill Street Blues. They had two children before divorcing in 1997. In later years he was married to Dayna Kalins (m. August 12, 2000). His son, Jesse Bochco, by Bosson, was a producer/director on NYPD Blue and directed the pilot episode of Raising the Bar. Jesse Bochco also appeared as Captain Furillo’s son, Frank Jr. (with Bosson playing his mother) on Hill Street Blues. Jesse has directed several episodes of his father’s shows, including NYPD Blue, Philly, and Over There.

In his autobiography titled Truth Is a Total Defense: My Fifty Years in Television, he recounts his career, which began at the age of 22 as head writer for The Name of the Game, and ended with the Murder in the First (2014 to 2016).

Bochco was diagnosed with leukemia in 2014, requiring a bone marrow transplant later that year. He died from the disease on April 1, 2018

Emmy Awards

1981 Outstanding Drama Series, for Hill Street Blues
1981 Outstanding Writing in a Drama Series, for Hill Street Blues, “Hill Street Station” (premiere episode)
1982 Outstanding Drama Series, for Hill Street Blues
1982 Outstanding Writing in a Drama Series, for Hill Street Blues, “Freedom’s Last Stand”
1983 Outstanding Drama Series, for Hill Street Blues
1984 Outstanding Drama Series, for Hill Street Blues
1987 Outstanding Drama Series, for L.A. Law
1987 Outstanding Writing in a Drama Series, for L.A. Law, “The Venus Butterfly”
1989 Outstanding Drama Series, for L.A. Law
1995 Outstanding Drama Series, for NYPD Blue

Humanitas Prize

1981 60-minute Category, for Hill Street Blues
1999 90-Minute Category, for NYPD Blue

Edgar Awards

1982 Best Episode in a TV Series Teleplay, for Hill Street Blues, “Hill Street Station”
1995 Best Episode in a TV Series Teleplay, for NYPD Blue, “Simone Says”

Directors Guild of America

1999 Diversity Award

Writers Guild of America

1994 Laurel Award for TV Writing Achievement

Peabody Awards

1981 for Hill Street Blues
1987 for L.A. Law
1996 for NYPD Blue
1998 for NYPD Blue, the episode “Raging Bulls”
In addition to these awards, Bochco has earned induction into the Television Hall of Fame, which he achieved in 1996.

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